Spatial

Archive

Sound Territory / 2026

This installation explores a way sound can shape the experience of space. A series of sound-generating objects—linked to themes like architecture, machines, nature, and human presence—are placed along a corridor. As visitors walk through, their movement activates shifting layers of sound. These overlapping sounds form a changing soundscape that invites reflection on how we perceive boundaries—not only through walls, but also through what we hear. Inspired by artist Antony Gormley’s idea of spatial reach, the work treats sound as a tool for measuring space. Blending abstract compositions with real-world recordings, the installation offers an immersive experience where sound defines and transforms the environment, showing that space is both physical and emotional, shaped by presence and perception.

Sound Territory at Chicago Architecture Biennale: Shift, Architecture in Times of Radical Change.

Sept. 19, 2025 - Feb. 28, 2026,

840 N. Michigan Ave, Chicago, IL 60611 USA


Given_again, a letter to nature / 2023

Seoul 284 Culture Station, Seoul korea

KCDF / Korea Craft & Design Foundation

Exhibit brings back the discourse of human engagement with the nature through the act of making. Some 80 designers and Korean traditional makers, ceramicists, metalworkers, artists brought their work to represent their points of view towards nature and natural materials.

Sung installed a round of Given stone stools along with large video installation through a 15ft tall monolith that projects freely moving stones. Each stone in the video is a high-fidelity digital representation of the exact stone used in the stools.

Director Kang Shinjae, curators Lee Kyuhyun, Choi Sungil

and installation crew Kim Minchae, Kim Jiho, Ph Soojeong, Oh Yeji, Kim Jieun, Kim Siho, Ban Hyeonji, Park Dahye, Lee Jihye, Han Mangyoon, Hong Yeonjae, Park Jinsu, Zhang Yongjie, Lee Hyunho, Lee Byeongjun, Kim Sangjoong


PRV / 2023

Aroposition for a major East Asian Developer.

Hybrid of pubic sculpture, playground, icon and interaction.

Steel of composite material.


NONBARRIAR / 2020

This work explores the relationship between elegance and extravagance: the tension between economy of means and complexity of effect. Using simple, often industrially produced elements, I employ repetition and accumulation to create structures that transcend their individual parts. Interactivity extends this investigation, inviting viewers to touch, enter, and become part of the work.

Created for Taewhagang Park, this installation responds to the river, forest, wind, and migratory birds. A permeable, flexible wall moves with its surroundings, occupying an ambiguous position between object and environment. The work considers how an artificial structure might enter nature not as an interruption, but as a participant.

Steel, Polyester Rope

1200 x 500 x 150 cm

TEAF20/ Taewhagang National Park, Ulsan, Korea

image ©Hyunseungtak, teaf20